| 2026 |
Desire of the Possessed |
Faculty of Art and Design, Jan Evangelista Purkyně University in Ústí nad Labem |
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| 2024 |
Althusser and the Image of Art |
Foreign Objekt |
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- Althusser and the Image of Art, Presentation for the seminar series Intelligence-Love-Revolution
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| 2024 |
Map of the Bomb, presentation RIP space Los Angeles |
RIP Space, Los Angeles, CA. USA |
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- Map of the Bomb, Present Tense
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| 2024 |
Art as a Total Social Fact, Panel discussion, Cal Arts, Oct. 24th 2024 JP Caron, Michael Pisaro Liu, Chris Santiago, Eyvind Kang, Amanda Beech |
Center for Discursive Inquiry, Cal Arts, USA |
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- At the Conjuncture: Art and the Imagination, Center for Discursive Inquiry collaboration with the Herb Alpert School of Music, Ulrich Krieger
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| 2024 |
Reason Without Freedom? Tia Trafford and Amanda Beech |
Center for Discursive Inquiry, Cal Arts, USA |
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- Reason Without Freedom?, Part of a series: At the Conjuncture: Art and the Imagination
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| 2024 |
Things They Don’t Do in Florida, ep 6 Marten Spangberg Interview |
Marten Spangberg |
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- Things They Don't Do in Florida, Video episode 6
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| 2024 |
Amanda Beech in conversation with Ellis Von Sternberg |
Twelve Ten Gallery, Chicago |
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- Amanda Beech in conversation with Ellis Von Sternberg, Interview for solo exhibition Delphic Future, Feb 2024, Chicago, IL. USA
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| 2021 |
Art’s Intolerable Knowledge |
EARN Utrecht |
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- The Postresearch Condition, Keynote for EARN European Artistic Research Network
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| 2019 |
Cause and Effect Dialogue: Amanda Beech and Anna Longo |
Artericambi Gallery, Verona, Italy |
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| 2018 |
Language and its Possible Worlds |
California Institute of the Arts |
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- Part of the Research Group, Language and its Possible Worlds, Center for Discursive Inquiry, School of Critical Studies, Panel discussion, Nov 8th, California Institute of the Arts
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| 2018 |
How Art Ought to Think, Art and Reason, Contrapuntal Media, 2018 |
California Institute of the Arts |
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- Art and Reason: Art's Possible Worlds, CAA 2017
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| 2017 |
Cold World and Neo-Con Noir |
Urbanomic |
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| 2017 |
What Would We Mean By Realism, Audio Visual Posthumanism, 2017 |
Cambridge Scholars Press |
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| 2015-2016 |
Art and Reason: How Art Thinks. Part One and Part Two |
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- Art and Reason: How Art Thinks Part 1 of a series of two panel discussions., Panel Discussion as part of Visiting Professorship at the University of Newcastle Upon Tyne 2015-16
- Art and Reason: How Art Thinks Part II, Panel Discussion as part of Visiting Professorship at the University of Newcastle Upon Tyne 2015-16
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- Newcastle Upon Tyne, UK
- Gateshead, UK
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| 2015 |
Culture Without Mirrors—Restructuring Creative-Cognitive Power |
Glass Bead |
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- Bots, Bodies and Beasts, Conference
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| 2013 |
Concept Without Difference: The Promise of the Generic |
Sternberg Press |
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| 2015 |
Hard Cases Podcast dialogue with Robin Mackay |
Urbanomic |
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- Yarnwork: Hard Cases, Podcast
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| 2014 |
Speculative Aesthetics – review |
Urbanomic |
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- Speculative Aesthetics - review, Short panel presentation for the launch of the book Speculative Aesthetics, as part of a Speculative Tate programme devised by James Trafford and Luke Pendrell, co-editors of the volume.
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| 2014 |
Montreal Biennale – Artists’ panel |
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- Final Machine, Montreal Biennale Artists' Panel: Amanda Beech, Skawenatti, Jillian Meyer, Hito Steyerl, chaired by Gregory Burke.
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| 2014 |
Future Impossible? Thinking the Image without Crisis |
La Biennale de Montreal |
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| 2014 |
Art and its ‘Science’ |
Urbanomic |
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| 2016 |
Heroic Realism: Violence, Conservatism, and the Fate of Culture |
Urbanomic Docs |
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| 2014 |
On the Semantics of Art |
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- On the Semantics of Art, On-line panel discussion with Diann Bauer, chair, Joshua Johnson
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| 2014 |
Art and New Materialist Power: The Death of Anti Representationalist Critique |
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- The Psychopathologies of Cognitive Capitalism III, Conference
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| 2014 |
Treason Without Guilt: An Alternative Realism |
Eva International |
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| 2014 |
The Nouemon Unclothed: Metaphysics with Peter Wolfendale. |
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- The Nouemon Unclothed: Metaphysics with Peter Wolfendale., Discussion seminar for Fixing the Future.
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| 2014 |
Space is No Object, The techno image and the regulations of critique. |
Re-Inventing Horizons |
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- Space is no Object, Post Planetary Capitalism Symposium
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| 2014 |
Incredible Machines |
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- incredible-machines-2014 DIGITALITY AND MODERN SYSTEMS OF KNOWLEDGE AT THE THRESHOLD OF THE 21ST CENTURY, Conference
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| 2013 |
Science and its Fictions |
CalArts West Hollywood Public Library Lecture series for the MA Aesthetics and Politics Program - WHAP! |
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| 2013 |
The Nature of Constraint, Art, Habit and Rule |
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- Generative Constraints, Conference Keynote
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| 2013 |
Last Rights: The Non-Tragic Image and the Law |
Sternberg Press |
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- Last Rights: The Non-Tragic Image and the Law, Conference The Flood of Rights
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| 2013 |
Exploding Horror |
Merve, Verlag. |
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- Knowing Horror, Real Horror Symposium
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| 2013 |
Beyond the Contemporary |
Spike Art Quarterly |
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| 2012 |
Traversing the Paradigm; Concept Without Difference, Image Without Art |
Frakcija, Performing Arts Journal, No 64/65 2013 |
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- Art of the Concept, Conference
- Contemporary Confrontations Between Art, Morality, Politics., Conference
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- Zagreb, Croatia.
- Paris, FR
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| 2012 (Winter) |
Art of the Concept, Frajika, 64/65 |
Centre for Drama Art Andrijevićeva 28, Zagreb, Croatia & Akademija dramske umjetnosti / Academy of Dramatic Art Trg maršala Tita 5, Zagreb, Croatia |
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| 2012 |
Real Video |
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| 2012 |
Special Relationships and the Tyranny of Freedom |
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| 2011 |
Knowing Horror |
Incognitum Hacetenus |
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| 2010 |
Art and Resistance – Art and Change |
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- Common Skies, Divided Horizons, Symposium
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| 2011 |
An Exercise in Fatality |
Umelec |
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| 2011 |
Curatorial futures with the image: Overcoming scepticism and unbinding the relational |
Journal of Visual Arts Practice, Taylor and Francis |
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| 2010 |
The Real Thing: Panel discussion Tate Britian |
Urbanoomic Falmouth |
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- The Real Thing, Panel discussion
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| 2010 |
What Would We Mean by Realism? |
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- Hospitality, Conference
- Audio Visual AntiHumanism, Conference
- ISEA , Conference
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- Sheffield, UK
- Mytiline, GR
- Istanbul, Turkey
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| 2010 |
The Contingency of Curation |
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- The Contingency of Curation, Symposium
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| 2009 |
Image-Force: In Conversation with Amanda Beech |
Urbanomic Falmouth |
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| 2008 |
Episode: Pleasure and Persuasion in Lens-based Media |
Artwords Press |
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- Episode: Pleasure and Persuasion in Lens-based Media, Conference
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| 2008 |
We Never Close–Techno-culture and the Force of Law |
Artwords Press |
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- Ubiquitous Media, Asian Transformations, Conference
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| 2008 |
Matters of Freedom |
Pil and Galia Kollectiv |
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- The Art and Politics of Irony, Conference
- The Institute of Psychoplasmics, Discussion with Suhail Malik, Amanda Beech, Roman Vasseur and Pil and Galia Kollectiv.
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- Montreal
- Pump House Gallery, Battersea Park, London SW11 4NJ, UK
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| 2007 |
The Consequences of Capital |
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- The Consequences of Capital, Discussion panel.
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| 2007 |
Freedom from power – the problem of talking them down |
Colony Gallery, Birmingham |
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| 2007 |
Art and Capital |
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- Art and Capital, Panel discussion
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| 2007 |
Liberty and Contingency: Living with Metaphors |
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- On Liberty and Art, Conference
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| 2007 |
Don’t fight it: the embodiment of critique. |
Intellect, Taylor and Francis |
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- Contents. Discontents. Malcontents, AAH Conference
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| 2007 |
The Dream of Putrefaction |
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| 2006 |
Culture and the Real World: The Folly of Critique |
Site Gallery Sheffield |
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| 2006 |
Labour of Love |
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| 2005 |
On Violent Ground, Heidegger, Jünger and Malick |
Inventory |
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| 2004 |
Out for Justice: Complicity and disagreement in Fish and Segal |
Kollectiv |
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