Arts practices have consistently placed the value of their critical

work in the destruction of the meanings, principles, hierarchies

and systems that have maintained social injustice, specifically

the embeddedness of Enlightenment rationality and Imperialist

Colonial capital. Born from this is the validation of behaviors, new

practices that reject metaphysics, repudiate theory and trouble

epistemological judgements and those which organize a dialec-

tics of meanings and uses. This is to reject the acts that are judg-

ments, that sit behind the back of doings, for these judgments

seem groundless and cannot be reasoned. Therefore, they are

seen to only add to the existing illusions of power.