If art is not understood as the site of the irrational, unknowable or the ineffable then what forms of reason does it manifest? And how are these specific to artistic production and artistic methods? If art is to think critically, then can its critique move beyond what has become a determinate paradigm for a conceptual (thinking) practice, that is the self-conscious critique of its own nature?
Talk Context
- Art and Reason: How Art Thinks Part 1 of a series of two panel discussions.
- Panel Discussion as part of Visiting Professorship at the University of Newcastle Upon Tyne 2015-16
- Newcastle Upon Tyne, UK
- Art and Reason I
- Art and Reason: How Art Thinks Part II
- Panel Discussion as part of Visiting Professorship at the University of Newcastle Upon Tyne 2015-16
- Gateshead, UK
- Art and Reason II