FINAL MACHINE pushes the viewer through the gallery space, into a choreography of sound, visuals and physical forms and steers them under a relentless narrative of indoctrination. Three walls; Three ‘circle’ zones: from red, to yellow and then to green. The video navigates the wasteland of the Mojave Desert, targeted shots of arcane edifices in dense jungle landscapes, trailing cars through night-time Miami and is intersected by serene and balletic graphic imagery and abrupt aggressive ‘bullet points’. Together, the visual material emphasizes the groundless and mobile force of the negotiated perfect fake rolex oyster perpetual date 69240 ladies watch image. The work questions dogmatically and directly: How it is possible to engage art as a site of realism that would annihilate our faith in the art and politics that we know as our bad habit?