Cause and Effect Series 1, 2 and 3 is made up of 16 individual works. Five paintings, five stencils and five holes and one print. The works contain five mantras that have been associated with the correlation between thinking, acting and its social consequences. These phrases are displayed in the work as belief systems that has through its asymmetry, (where one thing leads to another) has ultimately produced a form of perverse symmetry, where an idea seems to be always already equivalent to its outcome, resulting in a banal indeterminacy of both ideas and language. Some of these relations have been held dear to the art-world even when it has claimed to participate in the non-causal real. The works respond to this phenomenon quite directly, by literally deleting, obfuscating and crossing out the sign of correlation, the ‘equals’ sign that conjoins the idea to the outcome, behavior to action, and belief to consequence. The series adopts a mechanistic relation in the means of its own production containing the telos of cause as well as the tautology of circular production, where each work holds the conceit that is in service of another’s realization. These works continue a project that tests the questions of art’s facility for the real, and how notions of it can be thought with the political through rational means through the world of cause.
PROPOSITIONS FOR A STAGE: 24 FRAMES OF A BEAUTIFUL HEAVEN, Lasalle, Institute of Contemporary Arts Singapore, curated by Bridget Crone, Sat 29 Jul – Sun 22 Oct 2017.
Artericambi Gallery, Verona, Italy, June 29-Sept 30th 2019